CRAFT STORIES | MIDDLE EAST | PALESTINE | GLASSWARE 

Stories of Craft: Palestinian Glassblowing

 

 

Emma Becque celebrates the craft of Palestinian glassblowing, where artisans keep centuries-old techniques alive. Each handcrafted piece is an emblem of a unique blend of creativity and cultural heritage, ensuring this ancient technique endures in a modern world.

The story of glassblowing in the Levant spans centuries and is rooted in the vibrant crossroads of ancient civilisations. In Palestine, the craft has its origins millennia ago during the Phoenician period and is still practiced today by a handful of artisans. The craft is severely threatened due to conflict and globalisation, and only a few workshops are still operating. Nonetheless, the tradition survives due to the efforts of committed artisans who continue to practice it.

 

A centuries-old glassblowing practice

The story of glassblowing in the Levant spans centuries and is rooted in the vibrant crossroads of ancient civilisations. In Palestine, the craft has its origins millennia ago during the Phoenician period and is still practiced today by a handful of artisans. The craft is severely threatened due to conflict and globalisation, and only a few workshops are still operating. Nonetheless, there is a nascent revival of the craft due to the persistence and efforts of the artisans to keep their craft alive. Turquoise Mountain, a not-for-profit founded by His Majesty King Charles in 2006, is collaborating with these artisans, and supporting them in reigniting their heritage that’s under threat. 

 

In Palestine, and Hebron in particular, glassblowing techniques have been shaped by various civilisations across history. This art can be traced back to the time of the Phoenicians, who introduced the technique of free-blown glass to the region. This method was later refined by the Romans and gained popularity across the Mediterranean. In the Middle Ages, the Mamluks played a vital role in revitalizing glass production in Hebron, adding their own artistic touches to the craft. 

 


A family legacy lives on

In the old town of Hebron, Palestine, the ancient art of glassblowing survives in the hands of the Al-Natsheh family, who have passed it down for over three centuries. The family are the last remaining practitioners of the Phoenician technique, a rare form of glasswork characterised by silver filaments woven into molten glass — creating mesmerising swirling patterns.   Despite political challenges and the rise of mass production, the Al-Natsheh family continues to craft each piece by hand, preserving a legacy of artistry. Their dedication underscores the importance of preserving this heritage. "From grandfathers to fathers, this skill is our heritage," says Samer Hamdi Al-Natsheh, expressing his hope that the craft will never face extinction. This commitment to preserving the craft should inspire us to take responsibility for its continuation. 

 

 

 

A resilient artisanal practice

The resilience of Palestinian glassblowing is a testament to the enduring efforts of Samer, and other glassblowing artisans like him. Each piece—vibrant, translucent, an intricately designed—tells a story. The unique beauty of these pieces, with their fluorescent hues and swirling patterns, marks the maker's touch, connecting the past with the present in a rare fusion of tradition and creativity. 

Over the last year, Turquoise Mountain, a not-for-profit founded by His Majesty King Charles III, has begun collaborating with Samer and the talented artisans in the al Natsheh family in Hebron - working with him to promote Palestinian glass on the global stage.

 

 

Words by Emma Becque
Images from Turquoise Mountain

 

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